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ossia score is a sequencer for audio-visual artists, designed to enable the creation of interactive shows, museum installations, intermedia digital artworks, interactive music and more in an intuitive user interface.
Audacity 3.0.0 is a major update on our previous Audacity 2.4.2. We’ve changed the format in which we save Audacity projects! Previously we saved projects as a sometimes large number of small files, with an ‘.aup’ file to coordinate the lot. This way of doing things is sometimes called ‘pile of files’ storage.
The problem, which happened all too often, was that data files and .aup file parted ways. Users quite reasonably expected the .aup file to contain the entire project. Well, the new .aup3 file does contain the data as well. The technical detail is that we are using an open source database, SQLite3, to store everything in one .aup3 file. That all happens ‘behind the scenes’. SQLite3 is open source, and it is a delight to work with. Nevertheless, this was a huge change, and we decided it was too risky to include many other changes we wanted to make at the same time – so 3.0.0 is almost entirely about this big format change.
Working with .aup3 projects editing audio should on most machines be a little faster than before, because there are fewer files being worked on. Finishing and closing a project at the end of working can be quite a lot slower, since there is more to do when a project is closed. We think the trade offs are worth it.
Importantly note that you can open your older .aup projects in Audacity 3.0.0 where they will be converted to the new .aup3 format.
Label Sounds & Noise Gate
We did have time to improve our ‘Noise Gate’ effect and add a new analyzer, ‘Label Sounds’, that can label sounds and silences. We also made a few small tweaks elsewhere. You can now import and export macros, and there are a couple of new commands for using the last used tool or last used analyzer that you can give shortcuts to.
We also fixed over 160 bugs that had been accumulating over the years. This is quite a staggering amount of work. The majority of these bugs were minor problems, easily worked around. Some though were really juicy high priority bugs that would have mattered a lot to the people affected by them. We’re really glad to have these bugs fixed now.
We hope you enjoy using Audacity 3.0.0 as much as we enjoyed putting it together.
Stochas is a revolutionary new type of step sequencer that has a unique randomization engine. Designed to work either in mono or polyphonic modes the engine will select from a set of user inputted notes and takes into consideration the probability set for each, this means Stochas can be used to create evolving melodies, rich sounding string and synth sections, unique bass lines and even chaotic yet looping drum patterns, perfect for live and recorded performances. Chord input and predefined scales, make editing and inputting patterns quick and easy, without any knowledge needed of music theory.
With the ability to create polyrhythmic and polymetric patterns up to 64 steps in length, independently on each of the 4 layers, Stochas can create interesting ideas for your next musical project, be it a Phillip Glass style classical piece with varying rhythmical and metric sequences playing against each other, to a polymeric dance style project that has more life and rhythm than the standard 4/4 patterns. Patterns can be chained and created so that little phrases can be triggered randomly during the playback sequence, this can also be used to prevent repetition of the same note if using Stochas to write a bass line or to keep the pattern evolving.
With the groove template editor, you have total control over the timing and feel of the playback in Stochas, these can also be saved and loaded into other sessions, allowing you to recreate the same feel from track to track easily. MIDI input control means that you can use any hardware controller or another MIDI channel to control Stochas, allowing for live performance control of the polymeric lengths, transpositions, the bias of the maximum number of notes played.
Randomisation engine works in both mono and polyphonic modes.
Groove templates with export and import function.
Predefined key and scales, including custom import.
Watch your waves
Wave Observer is an oscilloscope and monitoring plug-in for time-domain audio analysis. It visually supports mixing, mastering and sound design by offering a number of unique features.
•smooth continuous presentation of input signals (left, right and stereo)
•wide zoom range (from one sample per pixel up to four seconds for the whole view)
•stabilization algorithm for fixing single waveforms on screen
•freeze function including the ability to scroll through history
Two different observer modes allow distinct types of monitoring. The envelope mode offers long sweep times suitable for the analysis of the shape of envelopes and signal dynamics. The waveform mode allows you to view individual waveforms and oscillations by activating a specifically developed stabilization algorithm.
•peak level meter
•support for high-dpi / retina displays
•UI customization (window scaling and color themes)
System requirements and compatibility
Mac OS X 10.11 or higher (currently not compatible with Apple Silicon processors)
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