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Abstract Crystal Pads is a collection of 30 abstract pads for your film score, ambient soundtrack or your fresh new age project! Each sound is royalty-free and can be used in commercial and non-commercial projects.
Features of the plugin version:
30 abstract pads.
Amplitude range controls.
3 voice modes: polyphonic, monophonic, and legato.
Also available as a Kontak/Decent Sampler instrument library and a Reason 12/+ ReFill.
Over 2021, after the succesful release of Surge 1.9, the Surge Synth team undertook an effort to rebuild Surge in JUCE and add a variety of features. This project resulted in the new version of Surge, called ‘Surge XT’.
Synthesis method: Subtractive hybrid
Each patch contain two scenes which are separate instances of the entire synthesis engine (except effects) that can be used to create layered or split patches.
Quick category-based patch browser with textual search and favorites
Runs on a variety of operating systems, plugin formats, and architectures
3 oscillators per scene, with 12 versatile oscillator algorithms: Classic, Modern, Wavetable, Window, Sine, FM2, FM3, String, Twist, Alias, S&H Noise and Audio Input.
Classic oscillator is a morphable pulse/saw/dual saw oscillator with a sub-oscillator and hard sync.
Modern oscillator is a mixable saw/pulse/triangle oscillator with an optional sub-oscillator mode for triangle (which can also change to sine or square) and hard sync.
FM2/FM3 oscillators consist of a carrier and 2 or 3 modulators and various options.
String oscillator uses two filtered waveguides to emulate plucked or bowed string sounds.
Twist oscillator is based on a very famous Eurorack macro oscillator, and it offers a myriad of synthesis options in a very simple and quick way.
Most algorithms (except FM2, FM3, Twist and Audio Input) offer up to 16-voice unison at the oscillator level.
Oscillator FM in 3 different configurations and ring modulation between oscillators 1-2 and 2-3.
Most oscillator algorithms (except FM2, FM3, Sine and Alias) are strictly band-limited, yet still cover the entire audible spectrum, delivering a clear, punchy and clean sound.
Noise generator with variable spectrum (available directly in the oscillator mixer).
Two filter units in 8 different configurations.
Feedback loop available in 7 of those configurations.
Available filter algorithms: Lowpass (12 and 24 dB/oct, each with 3 variations), Legacy Ladder Lowpass (6-24 dB/oct), Vintage Ladder Lowpass (2 variations, each with and without gain compensation), Highpass (12 and 24 dB/oct, each with 3 variations), Bandpass (12 and 24 dB/oct, each with 3 variations), Notch (12 and 24 dB/oct, each with 2 variations), Allpass (3 variations), Comb (positive and negative), S&H.
Open-source additions to our filter algorithms include: K35 and Diode Ladder filter types from Odin 2 synthesizer, 12 and 24 dB/oct multimode filters from OB-Xd, and weird but fascinating Cutoff Warp, Resonance Warp and Tri-Pole filters by Jatin Chowdhury!
Filters can self-oscillate (with excitation) and respond amazingly fast to cutoff frequency changes.
Waveshaper (43 shapes).
12 LFO units available, 6 are per voice and 6 are global for the whole scene.
DAHDSR envelope generators on every LFO.
LFO shapes consist of 7 deformable LFO waveforms, step sequencer, a fully-fledged multi-segment envelope generator (MSEG) with various curves and up to 128 nodes, and last but not the least – a formula modulator which utilizes Lua scripting language to provide completely custom modulator output.
Voice LFOs allow envelope retriggering in step sequencer mode.
Extremely fast and flexible modulation routing. Almost every continuous parameter can be modulated!
16 effect units arranged as 4 inserts per scene, 4 sends and 4 master effects.
Iconic Vari-Mu limiting amplifier with extra features!
– VOLUME: -30 to +30dB input volume to drive circuit. You can drive circuit and get saturation plus more compression or vice versa.
– ATTEN: Output volume to adjust final level after process.
– THRESHOLD: Will let you set threshold to make compressor works. If you use VOLUME knob to boost input, you can leave THRESHOLD at default position and get mojo slightly compression. It has 30dB range.
– RELEASE: 300ms to 1.5sec release time
– HPF: 20 to 500Hz HPF to keep low frequencies from sidechain circuit. So, compressor won’t touch to low-end.
– EXT-SC: This will let you use external signal to compressed input signal.
– POWER: Plugin Bypass (Big Red Light)
– ANALOG OBSESSION: Oversampling (Label)
*Fixed Attack Time: 10ms
*Removed MIX option. Will be added with next update.
VST/VST3/AU | Mac 10.9 – 11.X
VST/VST3 | Windows 7 – 8 – 10
– Improved DSP and circuit design
– Added 4x oversampling
– Readout for knobs
– Redesigned GUI
– Catalina & Big Sur(Intel/M1) support
Fire is a multiband distortion / downsampler plugin.
Drive: has several distortion functions. There are two buttons “L” and “S” related to drive knob, and each means “Link” and “Safe”. “Link” means when your turn up drive knob, the output knob value will automatically reduce. “Safe” means if your drive knob pushes your volume too loud, it will automatically reduce your drive value. It also shows reduced value on drive knob.
Compressor: you can change threshold and ratio for each band.
Width: change audio width.
Filter: you can set lowcut, highcut, and peak. Lowcut and highcut each has four slopes (12, 24, 36, 48) you can choose.
Downsample: downsample your audio.
HQ: 4x oversampling for high quality audio.
A/B: switch between A/B to compare.
Warning: This is early beta version. Don’t use it for production!
Unique multiband distortion. Add gentle clipping, harsh distortion, or anything in between using a variety of distortion types. Fine-tune your sound with input and output filters, configurable distortion amounts, and a three-band EQ.
Introducing Rift Feedback Lite, a flexible effects processor taken from our flagship plugin, Rift.
Lush. Modern. Minimal.
Explore the unique and unpredictable capabilities of feedback.
Melodic effects with unbounded creativity. Tune the physical modeling feedback to the key of your track with preset scales, select whichever notes you want, or use it as a MIDI effect that can be played like an instrument.
Choose your tone — flexible feedback with a twist. Dial in your sound with tuned resonators, comb filters, and various synced delay modes. The UI is equally flexible with beautifully designed dark and light modes.
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