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A fairly unique sounding chorus/spatial expander from the late ’80s. It’s essentially a four voice chorus with extended delay times and with two out of the voices being out of phase with the other two.
TAL-NoiseMaker is an improved version of TAL-Elek7ro and has a completely new synth engine and a lot of improvements in sound and usability. The synth also includes a small effect section with a reverb, chorus and a simple bit crusher effect.
A display shows the knob and slider values. This allows more control over the synth. A ringmodulator and a syncable triangle are also part of this synth. TAL-NoiseMaker includes new filter types as the self resonating 6dB low pass and a notch filter. Its improved amplitude ADSR is very suitable for slow pads as for really fast envelopes. 128 factory presets included, 80 made by Frank “Xenox” Neumann / Particular – Sound
Osc 1, +- 24 semitones, fine tune, phase control (saw, pulse, noise).
Osc 2, +- 24 semitones, fine tune, phase control (saw, rectangle, triangle, sine).
Sub Osc (rectangle).
Osc 1 PM for pulse waveform.
Osc 2 FM controled by Osc 1.
Osc 1 & Osc 2 sync to sub osc (saw, pulse, rectangle, triangle(bipolar sync)).
Adjustable master tune and transpose.
Up to 6 voices.
Portamento in mono and poly mode (off, auto, on).
Ringmod modulates Osc 1 with Osc 2
Self resonating 4x oversampled filters (24 dB LP, 18 dB LP, 12 dB LP, 6 dB LP, 12 dB HP, 12 dB BP, Notch)
Filter ADSR (negative and positive)
Routable ADSR, modulates Filter, Osc 1, Osc 2, PW, FM (negative and positive)
2 LFO’s with different running modes: free, sync to host, triggered by note.
Modulates filter, osc 1, osc 2, fm, pw, lfo rate, panorama and volume.
Sine, triangle, saw square, s&h, noise.
Positive and negative modulation.
Adjustable Velocity dependent control over volume filtercontour and cutoff.
Adjustable Pitch Wheel control over Cutoff and Pitch.
One pole HP filter.
Detune, detunes notes randomly.
Juno chorus with different modes.
A built in reverb.
A built in delay.
Adjustable filter drive.
Bitcrusher, affects osc 1 and osc 2. Its a pre the filter stage effect.
A free sampling plugin that allows you to play samples in the Decent Sampler format.
The Decent Samples plugin is a FREE sample player plugin that allows you to play sample libraries in the DecentSampler format (files with extensions: dspreset and dslibrary). It is available in the following formats:
Windows (32-bit/64-bit): VST, VST3, AAX, Standalone
Mac (Intel & M1): VST, VST3, AU, AUv3, AAX, Standalone
We have a bunch of samples in Decent Sampler format here. There’s also a huge cache of free Decent Sampler samples available for download on Pianobook. Right now, the easiest way to find those is via this this Google search.
A video about how to create your own samples can be found here. Documentation can be found here.
SK100 is a dual, stereo, powerhouse of a compressor. It boasts two clean compressors for fixing and gluing a buss together. Features include:
Comp1 – Harder compressor that uses peaking algorithms to instantly detect gain changes. Works well on many instruments, especially drums. You can view the equation for the gain computer here.
Comp2 – Softer gluing compressor for more transparent corrections. This compressor’s gain computer is a bit complicated under the hood. It is still easy to use on the surface, but there’s a lot of magic happening inside.
VU Meter – Shows the gain different from the input and output. You can view the gain differences for Comp1, Comp2, or both.
SK100 was written in C++ and is highly optimized for CPU usage, meaning don’t need to worry about too many instances overloading your computer.
Want to smash some trash? We took a metal bin and hit it with anything we could lay our hands on.
This Kontakt instrument features hand hits, plastic hits, metal hits and even a coat hanger for a range of different percussive sounds. An ideal junk percussion sample library to add to your collection.
• Cable tie scrape (x3 RR)
• Soft hand hit (x8 RR)
• Knuckle hit (x8 RR)
• Hand hit (x8 RR)
• Muted hit (x8 RR)
• Hand rimshot (x8 RR)
• Plastic hit floor (x8 RR)
• Plastic rimshot (x8 RR)
• Plastic hit (x8 RR)
• Coat hanger (x8 RR)
• Metal top hit (x8 RR)
• Metal hit (x8 RR)
• Two microphone positions
• Recorded at 96kHz 24bit
• 8x round robins (except scrapes)
• Built-in convolution reverb
This is a different type of delay as it only add delay to the left channel. This is great to use before a delay unit that has no stereo ping-pong option. You can also adjust the Stereo Pan of the Delayed signal and the Original signal.
Windows PC 64 bits native formats: Stand Alone App, VST2 and VST3.
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