Inphonik free bitcrusher effect PCM2612 plugin for Windows, macOS, GNU/Linux, and iOS 0 (0)

 

Inphonik has announced the release of a free bitcrusher effect plugin for Windows, macOS, GNU/Linux, and iOS.

Meet the PCM2612 Retro Decimator Unit, a bitcrusher effect plug-in with a distinctive legacy. Based on the work we made on the RYM2612 Iconic FM Synthesizer, our tribute emulation of the Sega Genesis sound chip, the 8-bit decimation is inherited from the FM synth’s PCM playback feature, packed in a simple and compact effect unit. Bonus: it’s free!

The effect is available in 64-bit VST/VST3, AU and AAX plugin formats, as a Rack Extension for Reason 10.1 and higher, and as an AUv3/IAA app for iOS.

https://www.inphonik.com/products/pcm2612-retro-decimator-unit/

PCM2612 1.0.0 Setup

PCM2612 1.0.0 Installer

PCM2612_1.0.0_Linux.tar

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Stochas by Surge Synth Team 0 (0)

Stochas is a revolutionary new type of step sequencer that has a unique randomization engine. Designed to work either in mono or polyphonic modes the engine will select from a set of user inputted notes and takes into consideration the probability set for each, this means Stochas can be used to create evolving melodies, rich sounding string and synth sections, unique bass lines and even chaotic yet looping drum patterns, perfect for live and recorded performances. Chord input and predefined scales, make editing and inputting patterns quick and easy, without any knowledge needed of music theory.

With the ability to create polyrhythmic and polymetric patterns up to 64 steps in length, independently on each of the 4 layers, Stochas can create interesting ideas for your next musical project, be it a Phillip Glass style classical piece with varying rhythmical and metric sequences playing against each other, to a polymeric dance style project that has more life and rhythm than the standard 4/4 patterns. Patterns can be chained and created so that little phrases can be triggered randomly during the playback sequence, this can also be used to prevent repetition of the same note if using Stochas to write a bass line or to keep the pattern evolving.

With the groove template editor, you have total control over the timing and feel of the playback in Stochas, these can also be saved and loaded into other sessions, allowing you to recreate the same feel from track to track easily. MIDI input control means that you can use any hardware controller or another MIDI channel to control Stochas, allowing for live performance control of the polymeric lengths, transpositions, the bias of the maximum number of notes played.

Features:

  • Randomisation engine works in both mono and polyphonic modes.
  • Groove templates with export and import function.
  • Chord input.
  • Predefined key and scales, including custom import.
  • Note chains for phrase creation.
  • up to 64 grid steps and 125 rows.
  • Humanization control.
  • Polyrhythmic and polymetric control.
  • 4 layers and 8 patterns.
  • Midi input for live performance control.

https://stochas.org

stochas_windows_installer

stochas-mac-installer

 

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AnyDayLong McCart H#FNER BASS KONTAKT [FREE] 0 (0)

Our little journey through time continues….
Entered destination of our time machine is again London in 1967.
This is the first instrument of the “LUCY’s Diamonds” collection!

If you like the sound of Sir Paul’s Bass, you will enjoy the “McCart H*FNER BASS”.
The real strength of this bassguitar lies in its playability. No machine gun effect thanks to Multi-Round-Robin. The typical M*cca-feeling can be felt due to the different articulations.

Here are the main features:
– clear and easy to use interface
– Multi-Round-Robin and articulations
– Kontakt 5.4.3 and above (48khz/24bit)
– dead easy velocity control for a convincing natural-sounding bass performance! Playing hard: note with more H*FNER attack / playing soft: slidy tone
– clever script: Modwheel for SUSTAIN/black “c” for STOPing sustain with humanized bass noise.
– Straight Into Tape (15 IPS)

https://ko-fi.com/s/dcfbf9f007

McCart

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Low Wave Studios Track24 v1.0.0 VST3 AU WiN MAC [FREE] 0 (0)

Track24 is neither a Tape Emulation, nor a simple Saturator. It behaves like Analog Tape but without its “downsides”. It doesn’t care about Flutter, Wow or Noise, but it has the Tone and Saturation characteristics of Tape, plus other extra functionality

• Features a Tape Saturation section with a variable Texture control to add more Even or Odd order harmonics;
• A Tone section with 4 filter “presets” that were inspired by 2 different tape machines, running at different Ips – with “Neutral” being a completely flat;
• 4x oversample button to avoid aliasing – adds a tiny bit of latency;
• High and Low pass filters that are pre-saturation. To shape the incoming signal;
• A Dry/Wet knob to mix the clean with the saturated signal.

https://lowwavestudios.com/track24/

Track24.v1.0.0

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Kit Plugins Burier v1.0 x64 VST3 AU AAX STANDALONE WiN MAC [FREE] 0 (0)

The Burier is a saturation and filter plugin designed for use on a variety of applications. It has a saturation stage, followed by a pair of resonant filters, output attenuation, and dry/wet mixer.

The filters have 12 dB of attenuation per octave. They are IIR (Infinite Impulse Responses) filters with a TPT (topology-preserving transform) structure. Their behavior is based on the analog SVF (state-variable filter) circuit, which is a second-order RC active filter.

Not only can you add it to your guitars, but also it does its job tremendously well on pianos, drums, synths, vocals, and basses. You can go from light overdrive to a hard punchy saturation.

CONTROLS

Output
The output control attenuates the level of the processed sound to compensate for the extra level added by the Bury distortion stage.

Link
By activating the link switch, the output gain will be automatically set to compensate for the added level.

Mix
The mix control allows the user to blend the wet and dry signal.

Low-cut
It controls the frequency of the -3 dB point for the built-in lo-cut filter.

Hi-cut
It controls the frequency of the -3 dB point for the built-in hi-cut filter.

Distribution Formats
The Burier plugin is distributed in VST3 (Steinberg Virtual Studio Technology 3), AU (macOS Audio Unit), AAX (Avid Audio Extension), and as a standalone application (.exe for Windows and .app for macOS). It is compatible with all the DAWs (Digital Audio Workstations) that supports the formats previously mentioned. It supports mono and stereo signals.

Minimum System Requirements
• 4 GB RAM and 4 GB free disk space
• 64-bit operating system
• Windows 10
• macOS 10.11 or later (Intel only, Big Sur not tested yet)
• Intel i3 or later
• AMD Quad-Core (Windows)
• Apple M1 (ARM-based) processors are not tested yet

https://kitplugins.com/collections/frontpage/products/burier

Burier_v1.0_Installer_Windows

Burier_v1.0_Installer_macOS

 

 

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Analog Obsession & BPB Rare v6.0 VST VST3 AU WiN MAC [FREE] 0 (0)

Rare: The Rarest!

Analog Obsession & BPB releases Rare! And we made it really “Rare”!

There are tons of Pultec! All different but same process at the end. We thought that our version must be different!

Pultec is passive eq with gain stage at the end. Simple but awesome design.
I changed this design and added switchable gain stage. Pre and Post gain stage!

Pultec has its own gain stage at the end and when we boost low or high too much, gain stage will react according to eq moves. That’s the special design of Pultec.

But if we place gain stage before eq section, we can saturate signal at the unity gain without changing character by eq section and use eq without side effects of output gain stage.

Pultec has SRPP design and really colorful. So, it will saturate and compress especially low frequencies. But when we switch Pre Gain Stage, our low boost will give same harmonic character as flat. Also, we can keep highs from gain stage and this will make highs cleaner! With this feature, we can use Pultec without any harmonic changes while we use eq section.

Features
GAIN: Will set gain stage pre or post eq
CPS Low Frequency: Low frequency switch
CPS Low Boost: Low frequency boost
CPS Low Atten: Low frequency atten
KCS High Frequency: High frequency switch
KCS High Boost: High frequency boost
ATTEN SEL High Atten: High atten frequency switch
ATTEN: High frequency atten
POWER: Bypass
OUTPUT: Output control
ANALOG OBSESSION: This label is clickable. It will turn to red and engage Oversampling (4x)

Available Formats
VST/VST3/AU | Mac 10.9 – 11.X
VST/VST3 | Windows 7 – 8 – 10

UPDATE – Version 6.0 – 24.2.2021
– Fully optimized circuit and improved DSP
– Lower CPU usage
– Added 4x Oversampling
– Added readout
– Added extra GAIN pre/post processing

Read more on BPB!

https://bedroomproducersblog.com/2021/02/24/rare-bpb/

https://www.patreon.com/posts/34323244

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Synth Voices by Freemusicproduction.net 0 (0)

Synth Voices – Synth Voice Leads, Synth Voice Pads, Synth Words:

  • Instrument interface (Instrument selector – Effects).
  • Voice interface (Voice, Unison, Glide, Pitch).
  • Filter interface (Filters, Cutoff, Resonance, X – Y pad).
  • Envelope interface (Amp env, Filter env, Pitch env, User env).
  • LFO interface (LFO 1, LFO 2).
  • Modulation Matrix interface (Source, Modifier, Destination).
  • Step Modulator.
  • .Arpeggiator.

Download or Donations

Synth_Voices

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